Science Fiction · Adventure · Drama

Interstellar

Christopher Nolan, 2014

A former NASA pilot leads a crew through a wormhole to find a new planet humans can live on. His daughter grows old waiting for him on Earth, and the physics of spacetime keeps the 2 of them apart. It's a film about love as a force that works across dimensions and about the impossible math of sacrifice.

Interstellar (2014) poster

At a glance

Interstellar is a 2014 science fiction, adventure and drama film directed by Christopher Nolan. This breakdown covers 5 techniques (3 cinematography, 1 narrative and 1 sound), each with the scene where you can see it. If you like how it is made, Apocalypse Now uses several of the same techniques.

Cinematography

Hard Science Fiction Aesthetics

Designing a science fiction world around real science and believable extensions of today's technology and cities. The physics creates the drama, and the future feels connected to the present.

How this film uses it

Kip Thorne, the Nobel Prize-winning physicist, served as scientific consultant and executive producer. The wormhole and the black hole Gargantua are based on his equations. As a matter of fact, rendering Gargantua produced new scientific insights about gravitational lensing (gravity bending light), which were published in peer-reviewed journals.

Where to see it

The first view of Gargantua. It's a scientifically accurate black hole rendered at feature film resolution.

Narrative

Time Dilation as Emotional Distance

Using the real physics idea that time passes at different speeds in different gravity to separate characters. They end up living at different rates, which pulls them apart.

How this film uses it

1 hour on Miller's water planet equals 7 years on Earth. Cooper watches his children age in video messages while almost no time passes for him. Here, the physics of the universe is what forces an unbearable separation between a parent and his children, so the science plays as tragedy.

Where to see it

Cooper watching 23 years of stored-up messages from his children. This happens after he returns from Miller's planet.

Sound

Unusual Instrument Scoring

Choosing an odd or unexpected instrument for the score. The unfamiliar tone makes the world feel fresh, strange or psychologically unsettled.

How this film uses it

Hans Zimmer built the Interstellar score around a custom pipe organ and treated its long held tones as the sound of deep time and cosmic scale. The organ connects the film's science to its spirituality. It's the church instrument in space, and it makes the physical world feel religious.

Where to see it

The Endurance's approach to Saturn. This is the first time the score uses the full organ against the silence of space.

Cinematography

Practical Impossible Set

Building a physical set, such as one that rotates or stands for extra dimensions, to make an impossible space readable on camera. The engineering is visible in the result.

How this film uses it

Production designer Nathan Crowley built the Tesseract as a physical set of stacked bookshelves stretching in all directions. The camera and Cooper move through it as a place that has both space and time as directions. It turns love and gravity into a structure you can see.

Where to see it

Cooper navigating the Tesseract. He uses the bookshelf to communicate with Murph across time.

Cinematography

IMAX Large-Format Space

Shooting vast environments, including outer space, on 70mm IMAX film. The extra size and sharpness make you feel like you are inside the image.

How this film uses it

Hoyte van Hoytema shot the film's space sequences on 65mm and IMAX film, and the frame expands to the full 1.43:1 IMAX ratio in space. The physical grain of the large-format negative gives the cosmos a solid, touchable presence, so space is something you feel.

Where to see it

The docking sequence above Mann's planet, as the damaged Endurance spins. It uses the full IMAX frame in extreme conditions.

Questions

Interstellar: quick answers

What filmmaking techniques does Interstellar use?
CineCode breaks down 5 techniques in Interstellar (2014): Hard Science Fiction Aesthetics, Time Dilation as Emotional Distance, Unusual Instrument Scoring, Practical Impossible Set and IMAX Large-Format Space.
Who directed Interstellar?
Christopher Nolan directed Interstellar, released in 2014. CineCode also covers Following (1998), Memento (2000), Insomnia (2002), Batman Begins (2005), The Prestige (2006), The Dark Knight (2008).
What films are similar to Interstellar?
Films that share techniques with Interstellar include Apocalypse Now (1979), 2001: A Space Odyssey (1968), Blade Runner (1982), Children of Men (2006).