Monster
Drama

Monster

Hirokazu Kore-eda · 2023

A mother's investigation into her son's bullying at school reveals three completely different versions of the same events when told from the perspective of the mother, the teacher, and the two boys themselves. Kore-eda's film is a Japanese Rashomon for the age of institutional accountability.

4 Narrative

Techniques Used

4 techniques identified in this film

Multiple Resolution Structure

Narrative

A narrative architecture in which multiple storylines are told sequentially from different perspectives, each revision retroactively reframing what came before.

How this film uses it

The film's triptych structure presents the same events three times from different vantage points — each perspective apparently complete until the next one arrives to dissolve its certainty, the truth emerging only in the gap between all three.

The third act's revelation of what the boys were actually doing in the school car — the image that reframes every previous accusation and defense

Non-Linear Narrative

Narrative

A story structure that disrupts chronological order to create thematic rather than causal connections between scenes.

How this film uses it

Kore-eda returns to the same chronological events from three different entry points — scenes that appeared complete in the first act made strange and new when experienced from inside a different character's knowledge.

The scene of the teacher appearing to attack Minato, shown first as a mother's horror, then as institutional incompetence, then as something neither interpretation contained

Observational Restraint

Narrative

A filmmaking approach that withholds explanation, allowing behavior and environment to communicate character meaning without dialogue.

How this film uses it

Kore-eda films the children's relationship with his characteristic restraint — the boys' friendship visible in small gestures and shared spaces, never explained, the camera content to observe a tenderness that neither boy has language for.

Yori and Minato playing in the abandoned train car — the film watching them inhabit a space that is entirely theirs, the outside world temporarily irrelevant

Audience Truth Withholding

Narrative

A structural choice to deny the audience access to information that would resolve a central ambiguity until the final act's revelation completes the picture.

How this film uses it

The film withholds the central truth of the boys' relationship — the thing that explains every accusation and every defensive lie — until it can land with the full weight of everything the audience has misunderstood.

The final image of the boys running through the tall grass — the revelation of what was being protected making the image simultaneously heartbreaking and joyful

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