Surveillance Camera Grammar
Shooting with the look of surveillance footage: fish-eye lenses, hidden or high angles, static wide frames and cameras placed inside objects. You feel like you are watching remotely, and the image looks strange.
How this film uses it
Coppola opens the film with an overhead telephoto shot that slowly zooms in on Union Square. It sets up a god's-eye view from high above. From up there, both Harry and you in the audience become voyeurs.
Where to see it
The opening zoom. It slowly closes in on the park from high above as Harry's surveillance team circles the couple unseen.


















