
Pi
Darren Aronofsky · 1998
Aronofsky shot on 16mm high-contrast black-and-white reversal stock, aiming for a raw, spontaneous look. The faces and apartment walls look harsh and unsoftened. It makes Max's world feel like a place with no mercy.
Where to see it: Max's apartment. The black and white make the cramped rooms and his pale face look stark.