
The Long Goodbye
Robert Altman · 1973
Cinematographer Vilmos Zsigmond gave the film a soft, pastel look in place of the dark, high-contrast feel of old noir. Sunlit Los Angeles looks as casual and sloppy as Marlowe himself. The haze makes the city seem like a place where nothing cuts deep.
Where to see it: The Malibu Colony scenes: Marlowe visits the Wades in their ocean-front home. The hazy light and shimmering sea make the setting look casual and a little unreal.