
Late Spring
Yasujiro Ozu · 1949
Ozu cuts to quiet images between scenes, and the best known is a vase in a Kyoto inn. The shot holds still on an object while the people are out of the frame. It gives you time to feel what the characters leave unsaid.
Where to see it: The Kyoto inn. Noriko and her father lie on their futons and talk about Onodera's remarriage, and the film holds on a vase.