Desaturated War Palette
Draining most of the color from the image, leaving gray skies, cold blues and muted browns. The world looks stripped of comfort and hope, and you can't enjoy it as pretty.
Saving Private Ryan
Janusz Kamiński removed the protective coatings from the lenses and underexposed the film to get a bleached look like old newsreels. The images are not beautiful. Spielberg and Kamiński made a deliberate choice that war should not look good.
All Quiet on the Western Front
James Friend's cinematography drains the color out of the Western Front with clinical thoroughness. The mud is gray-brown, the sky is gray-white and the faces are gray. This is the first thing the film tells you: in this world, heroism doesn't look good on camera. Color only comes back in brief flashes of beauty, and the war immediately puts them out.

