
M
Fritz Lang · 1931
Lang designs the city as 1 big surveillance network. There are police maps, networks of informants and organized beggars who mark Beckert with chalk. Every public space is watched. The irony is that the criminal underworld watches more thoroughly than the state does. The film's paranoid city is a panopticon, a place where everyone can be seen at all times, and people outside the law keep it running.
Where to see it: The beggar network activating. The whole city comes under organized watch. Criminals running the surveillance turn out to be more efficient than police procedure.

