
Full Metal Jacket
Stanley Kubrick · 1987
Kubrick uses a slow zoom throughout the film to pick out faces for you to study. He does it with Pyle's expression as it gets worse, Joker's reaction to violence and the sniper's face at the end. The zoom doesn't rush. It closes in with a cold, deliberate patience that matches the way the whole film looks at people.
Where to see it: Pyle's breakdown in the head. The slow zoom moves into his face as the scene gets closer to violence.