
Metropolis
Fritz Lang · 1927
Brigitte Helm plays 2 roles, Maria the prophet and the false Maria the robot. Her double performance relies on the exaggerated, expressionist body language of the silent era. The robot moves mechanically and the prophet holds a saintly stillness, and you tell them apart entirely by how she uses her body. The performance does what sound could only roughly imitate.
Where to see it: The false Maria's cabaret performance. The robot's body gives off sexuality and menace. Silent film acting gets that across through gesture, with no voice.


