
The Card Counter
Paul Schrader · 2021
The Abu Ghraib scenes bend at the edges as the camera roams the prison. They were shot with an 8mm fisheye lens on a Steadicam, which gives a floating first-person view. The warped look feels more like a nightmare than a memory.
Where to see it: Abu Ghraib flashbacks: Tell's memories of the prison drift into the story as distorted, maze-like scenes.
