
The Apartment
Billy Wilder · 1960
The Consolidated Life insurance office looks too vast to be real. Wilder and designer Alexander Trauner got that scale with forced perspective, a trick that fakes depth. They used smaller and smaller desks and actors as the set stretches toward the horizon. The office ends up feeling like a machine, and Baxter like 1 of its parts.
Where to see it: The establishing shot of the insurance floor. Rows of identical desks shrink toward a vanishing point, and the rigid pattern of the institution dwarfs the people in it.
