
Breathless
Jean-Luc Godard · 1960
Godard and editor Cécile Decugis made the jump cut famous. They cut within a scene to remove dead time, so the picture jumps forward. The rhythm that results feels closer to thinking than to watching. The cuts in the car and apartment scenes set the pace of the film. They also say that cinema doesn't need to pretend to be continuous. With the jump cut, the film openly admits it is something made.
Where to see it: Michel driving the stolen car. The cuts inside a single continuous drive remove seconds. What is left is a rhythm that matches his scattered, doomed energy.


