
Lawrence of Arabia
David Lean · 1962
Freddie Young's cinematography makes the Arabian desert feel like a character. The film reveals it slowly, and it has moods, like calm at dawn and violence at midday. It also kills people, directly and indirectly. You can't understand Lawrence without the desert or the desert without Lawrence. The 2 are in conversation for the whole film.
Where to see it: The Nefud Desert crossing. The landscape fills the huge Super Panavision frame, and it's so vast that the people in it look temporary.





