
Taxi Driver
Martin Scorsese · 1976
The finale gives Travis a massacre, a newspaper headline that calls him a hero and Betsy riding in his cab with admiring eyes. The way it is filmed says 'triumph' while what happens says 'psychosis'. Scorsese and Schrader deliberately used Hollywood's storytelling habits against you. Those habits usually deliver satisfaction, and this ending should leave you disturbed with none of it.
Where to see it: The overhead shot of the aftermath. The camera floats above the carnage before the newspaper montage recasts it as heroism.

