Wide-Angle Observational Staging
Filming a scene in wide shots from a distance and refusing to cut to close-ups. You watch awkward or extreme behavior play out in full, like a witness.
How this film uses it
Cinematographer Robbie Ryan (Lanthimos's regular collaborator) shoots most scenes in wide frames that barely move. Rooms feel too big and the people in them feel exposed. The camera never cuts to a reaction shot to give you relief. It just watches.
Where to see it
The basement interrogation sequences. Michelle sits, Teddy circles her and you can see the whole layout of the room.
















