Handheld Cinema Vérité
Shooting with a handheld camera so the frame shakes and moves with the action. This documentary-style look, called cinema vérité, puts you uncomfortably close to the character.
How this film uses it
Carlo Di Palma shot the film with a handheld camera. The frame moves and reframes while the characters talk. Nobody is composed or lit like a movie star. You feel like a guest who has stumbled into a bad evening.
Where to see it
The opening. Jack and Sally tell Gabe and Judy about the separation, and the camera moves restlessly around the room.


















