Revisionist Genre Argument
Using a genre's familiar rules, like its heroes and its violence, to take those rules apart. The film turns your expectations into a political point the genre usually avoids.
How this film uses it
Eastwood sets up every element of a classic Western (the retired gunslinger, the frontier town, the cold sheriff). Then he takes the glamour out of each one, step by step. What is left is violence that is ugly, trauma that is permanent and heroism that is a myth.
Where to see it
William Munny's drunken final rampage through the saloon. You recognize it as the big gunfight at the end. It is shot like a horror scene, and there is no triumph in it.


















