
Memento
Christopher Nolan · 2000
Nolan runs the color scenes in reverse order, so each scene ends where the previous one began. You feel as lost in time as Leonard does. First, you know what happens but not why. Then you learn why, but you have lost track of what happened. The structure is pretty much the disability itself.
Where to see it: The film's opening. It plays backwards, and you are dropped straight into Leonard's out-of-order world.

