
The Third Man
Carol Reed · 1949
Reed and cinematographer Robert Krasker tilt the camera sideways throughout the film, a shot known as a Dutch angle. It makes postwar Vienna feel morally unstable. This is a city where the normal rules don't apply, where a charming man can sell watered-down penicillin to dying children and stay charming.
Where to see it: The chase through the sewers. The tilted angles make the shape of the tunnels confusing. The camera never sits level, and that matches the moral world of the film.






