Drama · Thriller

Fight Club

David Fincher, 1999

An office worker who can't sleep and a charismatic soap salesman start an underground fight club that grows into something far more dangerous. It's a critique of a masculinity built on buying things, and it pulls you into the main character's sickness.

Fight Club (1999) poster

At a glance

Fight Club is a 1999 drama and thriller film directed by David Fincher. This breakdown covers 5 techniques (2 narrative, 1 editing and 2 cinematography), each with the scene where you can see it. If you like how it is made, Touch of Evil uses several of the same techniques.

Narrative

Unreliable Narrator

Telling the story through a character you can't trust, because they are lying, mentally unwell or fooling themselves. At some point, you have to rethink what you were told.

How this film uses it

Tyler Durden is a hallucination produced by the Narrator's split mind. Once you know that, you see that Fincher hid it in plain sight the whole way through. Tyler shows up in single-frame flashes before the Narrator meets him.

Where to see it

The Narrator's early scenes, before he meets Tyler on a flight. Tyler flashes by in single frames.

Narrative

Direct Address

Having a character look into the camera and speak to the audience, also called breaking the fourth wall. It makes you feel like their confidant and reminds you this is a film.

How this film uses it

The Narrator's voiceover often talks to 'you' directly, and Tyler himself points out the cigarette burn, the cue mark for a reel change, midway through the film. That makes you a partner in a set of ideas the film has seduced you into agreeing with.

Where to see it

Tyler's 'first rule of Fight Club' speech. The acknowledgment comes later, midway through the film, when Tyler points out the cue mark.

Editing

Subliminal Editing

Slipping single frames or very short shots into a scene, too fast for you to see clearly. You feel uneasy without knowing why.

How this film uses it

Fincher drops single frames of Tyler Durden into the film before he is properly introduced. The twist is sitting right there in the images for anyone who watches it again.

Where to see it

Tyler's subliminal appearances. They include the office copy machine, the doctor's office and the testicular cancer support group.

Cinematography

Dutch Angle

Tilting the camera sideways so the horizon runs diagonally across the frame. The crooked picture makes a scene feel unstable, uneasy or morally off.

How this film uses it

Fincher uses subtle Dutch angles (a tilted camera) during the fights and as Tyler's hold over the Narrator grows. Bit by bit, the film's moral center tilts too.

Where to see it

The fight sequences. The late scenes in Tyler's house use the same tilt.

Cinematography

Color Grading as Psychology

Adjusting the film's overall color, such as how warm, cold or vivid it looks, to match a character's emotional state. It can also separate different realities or states of mind.

How this film uses it

The Narrator's everyday world is washed-out and green-gray. Whenever Tyler is around, the look gets warmer and has stronger contrast. The colors follow the split in the main character's mind.

Where to see it

The Narrator's apartment against Paper Street. The look warms up in the scenes with Tyler.

Questions

Fight Club: quick answers

What filmmaking techniques does Fight Club use?
CineCode breaks down 5 techniques in Fight Club (1999): Unreliable Narrator, Direct Address, Subliminal Editing, Dutch Angle and Color Grading as Psychology.
Who directed Fight Club?
David Fincher directed Fight Club, released in 1999. CineCode also covers Alien³ (1992), Se7en (1995), The Game (1997), Panic Room (2002), Zodiac (2007), The Curious Case of Benjamin Button (2008).
What films are similar to Fight Club?
Films that share techniques with Fight Club include Touch of Evil (1958), The Third Man (1949), The Exorcist (1973), F for Fake (1973).