
The French Connection
William Friedkin · 1971
Roizman's photography turns 1970s New York into a grey, cold and hostile place. You see it in the Brooklyn stakeouts, the subway and the dark streets. The look of the city tells you that the world Doyle works in produces exactly the kind of moral damage you see in him.
Where to see it: The opening French connection. The heroin is hidden in a car in Marseilles. The golden Mediterranean light contrasts with the grey New York winter the drug is traveling toward.




