Comedy · Romance · Drama

Sabrina

Billy Wilder, 1954

Sabrina, the chauffeur's daughter, grows up pining for playboy David Larrabee, goes to Paris and comes back a polished woman. His workaholic brother Linus steps in to protect a business deal and ends up falling for her. Wilder keeps the glamour light and lets the clothes and the stars do the talking.

Sabrina (1954) poster

At a glance

Sabrina is a 1954 comedy, romance and drama film directed by Billy Wilder. This breakdown covers 5 techniques (3 narrative, 1 psychology and 1 cinematography), each with the scene where you can see it. If you like how it is made, The Counselor uses several of the same techniques.

Narrative

Dramatic Irony

Letting the audience know something a character doesn't. You watch them act without that knowledge, which creates suspense, dread or dark comedy.

How this film uses it

You know who Sabrina is the second she gets off the train, and David does not. His flirting is funny and a little cruel, because you know what he ignored for years.

Where to see it

The lift home: David, passing by the station, offers Sabrina a ride without recognizing her. She accepts.

Narrative

Character Arc Inversion

Taking a character to the opposite of where they started, such as from weak to strong or from decent to compromised. That reversal is what the film is about.

How this film uses it

Humphrey Bogart, known for tough roles, plays Linus as a cold businessman who ends up as the romantic lead. He starts by manipulating everyone for the merger and finishes by running to catch a ship.

Where to see it

The ship: David arranges a car and a tugboat so Linus can rush to Sabrina's ship before it leaves the harbor. Linus finds her on board, and they sail away together.

Psychology

The Gaze

Paying attention to who is looking, who is being looked at and whose eyes the camera borrows. Looking becomes a form of power in the story.

How this film uses it

At first Sabrina watches David from the dark, unseen. After Paris, the looks go the other way, and he stares at a woman he does not know. Who looks, and who is looked at, tells you how much power each person has.

Where to see it

Party eavesdrop: The night before she leaves for Paris, Sabrina watches and listens as David leads another woman into the dark indoor tennis court.

Cinematography

Costume as Storytelling

Designing wardrobes that carry character, status or change as much as the acting does. Clothes tell you who someone is or has become before they speak.

How this film uses it

Sabrina returns from Paris in a sleek, adult look, and the change is the first thing anyone notices. Edith Head won the Oscar for costume design, though who designed Audrey Hepburn's outfits has long been disputed between Head and Hubert de Givenchy.

Where to see it

Sabrina's return: After 2 years at Le Cordon Bleu in Paris, Sabrina comes home an attractive, sophisticated woman.

Narrative

Odd Couple Class Structure

Pairing characters from opposite social worlds who find each other strange. Their friction produces the comedy, and what they learn from each other produces the emotion.

How this film uses it

A cold tycoon and a chauffeur's daughter come from opposite sides of the Larrabee estate. Their friction is funny, and what they learn from each other becomes the heart of the film.

Where to see it

Tennis court: Linus takes David's place with Sabrina at the indoor tennis court. They fall in love, though neither will admit it.

Questions

Sabrina: quick answers

What filmmaking techniques does Sabrina use?
CineCode breaks down 5 techniques in Sabrina (1954): Dramatic Irony, Character Arc Inversion, The Gaze, Costume as Storytelling and Odd Couple Class Structure.
Who directed Sabrina?
Billy Wilder directed Sabrina, released in 1954. CineCode also covers Double Indemnity (1944), The Lost Weekend (1945), Sunset Boulevard (1950), Ace in the Hole (1951), Stalag 17 (1953), The Seven Year Itch (1955).
What films are similar to Sabrina?
Films that share techniques with Sabrina include The Counselor (2013), Get Out (2017), Revenge (2017), The Godfather (1972).

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