
Ikiru
Akira Kurosawa · 1952
The opening sequences follow a community petition through the public works department. It gets bounced from section to section and nothing is resolved. The satire has a job to do here. It shows you the system Watanabe has run for 30 years, the same one he now has to beat from the inside. The comedy and the tragedy come from the same machinery.
Where to see it: The petition sequence. The camera follows the women through every department as each bureaucrat passes them to the next. The shot becomes a long look at how institutions refuse to move.






