Wide-Angle Observational Staging
Filming a scene in wide shots from a distance and refusing to cut to close-ups. You watch awkward or extreme behavior play out in full, like a witness.
How this film uses it
Coppola films one burglary from far away in a wide shot, so you watch the teens move through a glass house from outside. She does not cut in for close-ups or tension. You feel like a bystander who could stop it and does not.
Where to see it
The Audrina Patridge break-in. The teens search her home, and the camera watches from a distance instead of following them in.

















