Color Palette as Worldbuilding
Limiting the film to a tightly chosen set of colors, or giving each place or state its own set. The colors tell you about the world and its mood without dialogue.
How this film uses it
Hoyte van Hoytema's cinematography bathes the whole film in warm reds, oranges and creams. The rich colors make the world feel comforting and artificially cheerful at the same time, which matches Theodore's emotional numbness.
Where to see it
Theodore walking through the city. Every frame is filled with warm amber light.















