Role Reversal Structure
Swapping the expected roles of characters or a fable's archetypes as the story progresses, so power and sympathy shift and old assumptions fail.
How this film uses it
Karol starts as the helpless one, pleading through an interpreter in a French courtroom while Dominique holds every card. By the end he is the rich one with the plan, and she is the one behind bars. The power shift is the whole film, so every scene in between feels like a step on a staircase.
Where to see it
The prison finale: Karol watches Dominique through her cell window with binoculars. She signs to him that she wants to marry him again once she is out, and he starts to cry.

















