Tonal Bifurcation
Giving a film 2 very different tones, such as comedy and tragedy, often split into halves. Each makes the other hit harder, and the film never blends them into 1.
How this film uses it
The first half plays like a slasher film and the second like a revenge chase. Each makes the other stronger, because the women in the second half have to pay off the dread of the first. The film never blends the two into one tone.
Where to see it
Austin bar: Stuntman Mike offers a ride to Pam, who dies when he brakes hard and her head hits the dashboard.


















