Observational Restraint
Watching events from a measured distance with no swelling music, tear-jerking close-ups or showy camera moves. The film trusts what happens to carry the weight on its own.
How this film uses it
Lee keeps the camera at a polite distance from the affairs, the drinking and the shame. Nobody delivers a speech that explains their feelings, so you read them from small moments. That distance makes the quiet breakdowns sting more.
Where to see it
The key party: Married couples swap partners by drawing car keys from a bowl. A drunken Ben is upset when Janey picks another man's keys, then retreats to the bathroom and stays there for the rest of the night.


















