Action · Drama · Romance

Crouching Tiger, Hidden Dragon

Ang Lee, 2000

A legendary warrior's sword is stolen. The theft pulls him, his partner and a rebellious young aristocratic woman into a chase across Qing Dynasty China. It forces each of them to face what they have held down in the name of duty. Ang Lee uses wuxia, the Chinese martial arts genre, to explore how freedom and self-sacrifice relate to each other.

Crouching Tiger, Hidden Dragon (2000) poster

At a glance

Crouching Tiger, Hidden Dragon is a 2000 action, drama and romance film directed by Ang Lee. This breakdown covers 5 techniques (2 cinematography, 2 narrative and 1 sound), each with the scene where you can see it. If you like how it is made, The Treasure of the Sierra Madre uses several of the same techniques.

Cinematography

Wire Work Action Choreography

Hanging performers on wires so they can fly, float and move in ways no body can, then erasing the wires digitally. The gravity-defying fights also express character and power.

How this film uses it

Yuen Woo-ping's wire work, where hidden cables let the actors leap and glide, makes flight a form of self-expression. Jen fights in the air differently from Li Mu Bai, who fights differently again from Yu Shu Lien. The wire work is character more than spectacle. Each fighter's style in the air shows you their mind and how they relate to freedom.

Where to see it

The rooftop chase sequence. Jen flees and Yu Shu Lien pursues, and the chase shows how differently the 2 women relate to freedom and restraint. The wire work lets you see desire as movement.

Cinematography

Landscape as Sacred Geography

Photographing real landscapes like mountains, plains and rivers so they feel mythic and full of meaning. The land becomes a spiritual and moral test the characters have to cross.

How this film uses it

The western desert, Mount Wudang, the bamboo forest and Beijing are moral territories. Each one tests the characters in a different way. The desert is where Jen learns freedom and the bamboo forest is where Li Mu Bai and Jen duel. Each landscape has its own link to the film's ideas about duty and desire.

Where to see it

The bamboo forest duel. Li Mu Bai and Jen fight up at the height of the treetops. The forest is unstable and beautiful, which matches their unresolvable relationship exactly.

Narrative

Romantic Triangle Geometry

Building a love story around 3 people, where each pair has its own relationship and the third person always gets in the way. Your sympathy shifts because each of them has a fair claim.

How this film uses it

Li Mu Bai, Yu Shu Lien and Jen form the film's moral and romantic triangle. Li Mu Bai loves Yu Shu Lien but can't say so. He is drawn to Jen as both a student and a mirror. Jen carries the freedom that he and Yu Shu Lien have both given up. The triangle measures what holding desire down costs.

Where to see it

Li Mu Bai's deathbed confession to Yu Shu Lien. He finally speaks the love he held back for decades, at the moment when speaking can no longer change anything. The triangle ends in pure loss.

Sound

Cultural Musical Identity

Writing music with its own instruments, rhythms and melodies for each culture in the film, or drawing on a real culture's musical traditions. The score tells you about the people.

How this film uses it

Tan Dun's score blends traditional Chinese instruments, the erhu, pipa and guqin, with Western orchestral writing and Yo-Yo Ma's cello. The musical mix mirrors what the film does with culture. It takes a classical Chinese genre and reworks it for a global audience. The traditional and the modern pull against each other in a useful way.

Where to see it

The desert flashback sequences. Tan Dun's score mixes Chinese and Western elements here. The music does the same blending of cultures as the film.

Narrative

Symbolic Object

Returning to the same physical object again and again until it means more than what it is. It moves the plot and also stands for the film's main ideas.

How this film uses it

The Green Destiny sword is the film's central symbol. It stands for mastery, freedom and the question of who is entitled to both. In Li Mu Bai's hands, it is disciplined power. In Jen's, it is undisciplined desire. Its theft matters more as a question of ideas than as a crime. The film is built around who the sword truly belongs to.

Where to see it

Jen's theft of the Green Destiny. The sword's meaning shifts from a tool of discipline to a tool of rebellion. What the film is saying changes each time the sword passes between characters.

Questions

Crouching Tiger, Hidden Dragon: quick answers

What filmmaking techniques does Crouching Tiger, Hidden Dragon use?
CineCode breaks down 5 techniques in Crouching Tiger, Hidden Dragon (2000): Wire Work Action Choreography, Landscape as Sacred Geography, Romantic Triangle Geometry, Cultural Musical Identity and Symbolic Object.
Who directed Crouching Tiger, Hidden Dragon?
Ang Lee directed Crouching Tiger, Hidden Dragon, released in 2000. CineCode also covers Sense and Sensibility (1995), The Ice Storm (1997), Hulk (2003), Brokeback Mountain (2005), Lust, Caution (2007), Life of Pi (2012).
What films are similar to Crouching Tiger, Hidden Dragon?
Films that share techniques with Crouching Tiger, Hidden Dragon include The Treasure of the Sierra Madre (1948), Sense and Sensibility (1995), The Man Who Would Be King (1975), The Last Temptation of Christ (1988).