
Barry Lyndon
Stanley Kubrick · 1975
Kubrick composes Barry Lyndon's country estates, military formations and gambling rooms with the formal symmetry of 18th-century painting. The one-point perspective, where every line runs to 1 central point, makes the society Barry sneaks into look like a stage set. It's beautiful and ordered, and it's open to anyone willing to play the right part.
Where to see it: The gaming room compositions. Aristocratic leisure is staged symmetrically. It's the visual order Barry wants to belong to and can never quite live in honestly.




