Color Palette as Worldbuilding
Limiting the film to a tightly chosen set of colors, or giving each place or state its own set. The colors tell you about the world and its mood without dialogue.
How this film uses it
Cinematographer Alwin Kuchler gave the ship's interior grays, blues and greens with no orange, red or yellow. Because audiences are starved of those colors, sunlight feels like it penetrates the screen when it finally appears.
Where to see it
Kaneda's sacrifice: Kaneda completes the final shield repair himself, moments before a wave of sunlight engulfs and kills him.


















