Color Palette as Worldbuilding
Limiting the film to a tightly chosen set of colors, or giving each place or state its own set. The colors tell you about the world and its mood without dialogue.
How this film uses it
Cuarón and Emmanuel Lubezki use green as the main color. It shows up in the Gulf Coast water, the overgrown mansion and even Estella's clothes. The color holds Finn's whole world together, from childhood to New York.
Where to see it
Finn's first visit to Paradiso Perduto. Young Finn walks through the overgrown green grounds of the mansion and meets Estella for the first time.


















